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Basher’s doctoral thesis included an extended consideration of work by Haim Steinbach, Josephine Meckseper and Carol Bove, three artists deeply concerned with the politics and potential of display.[2] https:// Crawford, Margaret, “The World in a Shopping Mall,” in Variations on a Theme Park,: The New American City and the End of Public Space, ed.

Michael Sorkin, New York, The Noonday Press, 1996, 15.

Consumption is now an integral part of life; Basher’s practice is a consideration of the ways consumption sites and consumption choices reveal unspoken aspirations, longings and urges.

As noted in a "circle of light, slowly panning or abruptly appearing only to fade again, carries associative meaning, evoking the cosmic or the banal; perhaps both at once."Similar to the way the gallery space frames the art, video always exists within a boundary, a (usually) rectilinear edge.

In this edge is described by a revolving ribbon of light within a barely discernible box.

They draw attention to what is always there, in the background, quietly supporting the main event. Humour, surprise and interaction are key components of the work.

At first it might seem the space is empty, no show to be seen, no art in the room.

Consumption is now an integral part of life; Basher’s practice is a consideration of the ways consumption sites and consumption choices reveal unspoken aspirations, longings and urges.As noted in a "circle of light, slowly panning or abruptly appearing only to fade again, carries associative meaning, evoking the cosmic or the banal; perhaps both at once."Similar to the way the gallery space frames the art, video always exists within a boundary, a (usually) rectilinear edge.In this edge is described by a revolving ribbon of light within a barely discernible box.They draw attention to what is always there, in the background, quietly supporting the main event. Humour, surprise and interaction are key components of the work.At first it might seem the space is empty, no show to be seen, no art in the room.Instead, the products on display point to a more turgid construction of self.